I think, I like the textures and soundsource library a lot from Omnisphere and it is fantastic to fill gaps in your production.īut for raw synth power, I always stick with Zebra.In 2017, finding the best Kontakt Libraries is no easy feat. But it is still extremely versatile and does give you unique sounds and textures which are still difficult to find under one synth and housed so nicely. Having said that, I use Omnisphere a lot less these days for pure synth work. It is a lot about your personal aesthetic as well. You can certainly make those pluck sounds in pretty much any synth but after you spend a few months, you will start casting your synths because you will have excellent aural memory and will know which synths sound good for different things. But, it is a fantastic bread and butter synth that will work in trailers but also a ton of more things. It sounds a bit more edgy over all and sounds less analogue-ish. It sounds nothing like anything from u-he. Nonetheless, as with everything from u-he it sounds excellent and monstrous. Of course there is Repro as well but I don't have it. I would then get Zebra as soon as you can, followed by Diva. If you are not great with designing sounds, Hive might be a good entry into the world of u-he while keeping your inspired. But a lot less flexible compared to Zebra. Diva - A very special synth which has tremendous weight to the sound and you can get beautiful pluck sounds, bass etc. Hive - Has a lot of edge from the get go - better modern presets and quick workflow to get to those edgy sounds. Zebra - Main stay mothership synth - extremely versatile, it can do pretty much anything. Having said that, Zebra is an all rounder that will last you for years. You can modify them easily and it has more bite out of the box. It has great presets that can fit right into Trailers. Then I'd add at least one emulation of something I knew well, for me the TimewARP 2600 and the Korg MS-20, and if I didn't have a lot of experience with older hardware then probably Repro 1 & 5, possibly the Arturia Collection, but there is a lot there I don't use, so I don't feel really good about recommending it. (kind of sorry I waited as long as I did, but the hype seemed over the top.) I would start with Omnisphere if I could afford it, otherwise Zebra, and I'd plan to get Omni. If I were just starting today - but knew what I know - what would I do? That's a lot, and some are more challenging to program than others. Spectrasonics Omnisphere - I've only had this for a short time, so I don't turn to it often, yet! I probably will use it more as I learn more.
#Best synth for cinematic scoring mac pro
Nothing wrong with using Repro 1 & 5 for this sort of thing, perhaps a little more effort, but not a lot.įor pretty much anything these days I have two groups of synthesizers that I depend on (and you can see, I love synthesizers!)
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